MAY 2008  
 

Links Hall’s workshops are dedicated to nurturing the unique creativity of your own expression, through the exploration and practice of contemporary methods with passionate, intelligent, and informed artist-instructors.

For more information or to register for any of the following workshops contact Erica at 773.281.0824 or emott@linkshall.org

Links Hall is located at 3435 N. Sheffield Avenue, Chicago.

CTA Trains/Buses: Red Line to Addison or Belmont, Brown line to Belmont, Clark Bus to Clark/Newport.

Driving: parking is a challenge, there are meters and residential codes apply. Pay lots are available up to $20. Please call us for directions, suggestions.

Links Hall is a second floor walk-up; there is no elevator or escalator.

CLASS POLICIES

Classes are usually open to all participants with at least beginning/intermediate skills in body/mind awareness (such as those developed through dance, yoga, martial arts, etc.)

Please wear bare feet and comfortable clothing for movement classes, and arrive at least 5 minutes prior to all classes to sign in and change. Refunds only in cases of illness or injury.

Visit the Study Groups and Jams page for independent dance and movement classes that occur regularly in the studio.

 

 

Jeremy Sher
Suzuki Method of Actor Training

Saturdays, May 3-24, 2:30-4:30pm
Followed by a Community Practice 4:30-5:30pm
$100, $85 with a non-refundable payment by April 14

Suzuki is a powerful physical training technique drawing from ballet, martial arts, Kabuki and other disciplines. Focusing on breath, the center and the lower body, with stomping, slow movement and explosive gestures, Suzuki brings attention to the voice and its connection to the body. No prior Suzuki experience required. Each session will be followed by an hour-long community practice open to workshop participants as well as artists with prior Suzuki Training.

Jeremy Sher is a professional actor in Chicago, who has trained in Suzuki for over nine years around the country and overseas.

Julie Mayo/Dim Sum Dance
Intro Series in Skinner Releasing Technique

Mondays, May 5-26, 6:30-8:30pm
$48 for the series, $15 drop-in

Skinner Releasing Technique™ is a pioneering approach to dancing that has evolved from the simple principle that when we are releasing tension and habitual holding patterns we can move more freely, powerfully, and articulately. Through guided imagery, music, and hands-on partner studies, the practice facilitates a deep kinesthetic experience of movement, and allows the individual to proceed at their own pace. Open to all.

Julie Mayo is Artistic Director of contemporary dance company Dim Sum Dance and a certified teacher of Skinner Releasing Technique™. www.dimsumdance.org

Richard Armstrong
The Muscle of the Soul: Voice and Artist

May 14-16, 6:30-9pm
at Experimental Sound Studio, 5925 N. Ravenswood Ave.
$150 (50% non-refundable deposit required)

Richard Armstrong brings 40 years of expertise in human sound to this three day intensive. His practice is firmly rooted in the belief that the voice is a manifestation of the psyche, the "muscle of the soul." This vocal training workshop focuses on exploring and expanding range and character, through use of breath, movement, body alignment, and physical grounding. There is a special emphasis on the connection between the voice and the personality of each participant. Open to all performance creators regardless of their vocal awareness/practice.

Richard Armstrong founded Roy Hart Theatre in 1960’s France. His work as teacher, director, and performer has taken him to over 30 countries, and he is Associate Arts Professor for New York University’s Experimental Theater Wing at the Tisch School of the Arts. www.richardarmstrong.info

"His students follow him around the world, flying thousands of miles to take yet another workshop. In class he has the noble bearing, the sureness and beauty of a lion and yet presents the work simply and in a manner that never encourages his students to make a guru of him." –Fides Krucker, from her foreward to A Vocal Journey: Conversations with Richard Armstrong


 



































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