november 2009 WORKSHOPS and classes

 
 


Advance registration strongly encouraged: 773-281-0824 or emott@linkshall.org

Links Hall’s workshops are dedicated to nurturing the unique creativity of your own expression, through the exploration and practice of contemporary methods with passionate, intelligent, and informed artist-instructors.

For more information or to register for any of the following workshops contact Erica at 773.281.0824 or emott@linkshall.org

Links Hall is located at 3435 N. Sheffield Avenue, Chicago.

CTA Trains/Buses: Red Line to Addison or Belmont, Brown line to Belmont, Clark Bus to Clark/Newport.

Driving: parking is a challenge, there are meters and residential codes apply. Pay lots are available up to $20. Please call us for directions, suggestions.

Links Hall is a second floor walk-up; there is no elevator or escalator.

CLASS POLICIES

Classes are usually open to all participants with at least beginning/intermediate skills in body/mind awareness (such as those developed through dance, yoga, martial arts, etc.)

Please wear bare feet and comfortable clothing for movement classes, and arrive at least 5 minutes prior to all classes to sign in and change. Refunds only in cases of illness or injury.

Visit the Study Groups and Jams page for independent dance and movement classes that occur regularly in the studio.

 

November 8

Sunday 4-6pm
at Experimental Sound Studio 
5925 N. Ravenswood 
Chicago, IL 60660 
$30 ($25 – students & ESS members) 

Collision Theory

Prepared Piano Workshop
with Technical Drawings' Melissa St. Pierre
curated by Links Hall Artistic Associates
Rachel Damon & Dan Mohr

Collision TheoryMelissa St. Pierre presents an hour-long set as part of the 2009 Outer Ear Festival of Sound. Following the performance, Melissa will hold a prepared piano workshop in partnership with Links Hall for pianists, composers, musicians and experimenters interested in altering the piano's innards. 

Pianist/Composer Melissa St. Pierre has toured the United States and Europe, both solo and with ensembles. She performed at the 50th Anniversary of the writing of John Cage's 4'33" as part of a celebration of BlackMountain College. 
 
For more information about the Fall Sunday Solos performance series at the Experimental Sound Studio visit www.exsost.org

"As an improvising artist in both music and movement, the events of collision_theory have long been a fantasy of mine. In dance contexts, music is often relegated to an ancillary, 'wallpaper' status. Curating the series affords me an opportunity to see artists whom I admire from both disciplines performing together on a level plane—and to share that experience with a unique audience of dance, music, and improvisation enthusiasts alike. This is very exciting." ~ Dan Mohr


November 13-15

Fri 2:30pm-5:30pm / Sat 12-5pm / Sun 2:30-5:30pm
$200 Register Now

The Mindful Body:
Cultivating Intentional and Intensified Presence for Performance

With Naropa University’s Wendell Beavers 

Wendell BeaversThis workshop invites physical actors and dancers to deepen their movement vocabulary and stage presence through learning the techniques of Wendell Beavers, Master Teacher and founder of the Naropa University’s Contemporary Performance Program.  Beavers’ groundbreaking form combines principles of body/mind centering, Viewpoints, kinesthetic awareness and imagery. Participants will develop multi-layered compositional skills to apply towards choreography as pure movement, choreography for the theater, and physical presence as the foundation for both naturalistic acting and transformational physical states.  

Wendell Beavers is a dancer, choreographer, teacher and faculty member and founder of Naropa University’s MFA Theater, Contemporary Performance Program. He is one of three major teachers and developers of The Viewpoints, along with originator Mary
Overlie and the director Anne Bogart.

 
       




















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